斗破苍穹·觉醒

影片是整个斗破宇宙故事的开端；天赋异禀的少年武者萧炎为了恢复斗气找回尊严，带着藏有“药老”灵魂的戒指，只身离开乌坦城，踏入诡谲险丽的魔兽山脉，苦苦寻找修炼提升斗气的秘法的试炼之路的开始。

她的业余爱好

该片改编自同名畅销小说，讲述了在封闭的村庄备受歧视的“静仁”(郑伊书 饰)和新搬到村子里的邻家姐姐“惠珍”(金惠娜 饰)见面后发生的神秘犯罪片。

最爱2021

在大家的眼里，周慕寒是个典型的渣渣男，整日游走于“花丛”中。本以为自己阅遍天下奇花异朵，不会为情所困，直到这天在书...

四十五个太阳

吴晓光少年丧父家境贫寒，他在运动会 上因买不起白球鞋一念之差拿了同学张 子健的十元钱，同学们没有人怀疑是他 所为，而一致把矛头指向了侯卫国。班 主任徐老师为了让拿了钱的同学健康成 长，便发了四十五个信封，让每个同学 画一张太阳交回来，吴晓光想借机把钱 还回，却发现藏在墙洞里的钱不见了， 他只好交了一个空信封。

#LuimeliaSeason1

This series is above the expectations they had about it. It is very fast (beyond the tempo of each episode) conflicts are able to develop and resolve in each episode. Which for one as a spectator is very good since the rhythm is never lost. 　　On the other hand, humor management is constant and gives it its point of grace so that conflicts, which are very deep, can occur with a li...

抬驴

该动画片为纸偶动画片。从前，一个老汉和孙子牵着一头驴去赶集，一路上就骑驴与否、怎样骑等问题产生了诸多困惑，也闹了不少笑话。起先，驴如何也不往前走，祖孙俩为此大伤了一番脑筋；遇到骑驴赶路之士，两人被他嘲笑有驴不骑是傻瓜，老汉认为此话有理遂让孙子骑驴上路；书呆子见小孩子悠闲骑在驴上，老人却气喘吁吁赶路时，讲要尊老，老汉也觉有道理，和孙子调换了位置；孙子半路不小心绊倒大哭，恰被信佛老太瞧见，老太数落老汉，老汉又觉她的话有道理，再让孙子骑驴；书呆子赶上来，和老太就谁该骑驴发生争执，老汉决定和孙子一起骑驴，哪知挑柴的农夫看到后，又责怪他不爱惜牲畜。不知如何是好的老汉左思右想，决定和孙子抬驴上路，可是这样一来，新问题又有了。

红树林和生活在其中的生物

地铁站周边

天天七点综

亡灵艺术

WhenDylanWilsonpurchasesacollectionofsevenpaintingstohanginhiswealthyestate,hehasnoideawhathorrorshehasunleashedforhimself,hiswife;Gina,hiscollegeson;Louis,histeen-agedaughter;Donna,andhistwolittlekids.OnlyFatherMendaleknowswhatevilslurkinsidethisdeadlyartandthehistoryofDorianWilde;theartistwhomadeapactwithdarkforceswhenhecreatedthesepaintingsthatrepresentthesevendeadlysins.Now,anyonewhocomesincontactwiththesepicturesarecorruptedbyPride,Lust,Gluttony,Sloth,Greed,Envy,andWrath.It’suptoFatherMendaleandLouis’girlfriend;KimtosaveDylanandhisfamilybeforetheyarealldestroyedbytheArtoftheDead.

最后的列车

"AlekseiGhermanjunior’sfilmTheLastTrainpremieredinMoscowinmidDecemberduringthefilmfestivalStalker,whichalsoawardedittheprizeforthebestfilm.However,itsfirstscreeninghadalreadytakenplaceinthe‘controcorrente’competitionoftheVeniceFilmFestivalinSeptember.Thefilm,dealingwiththemeofwarandshotinblackandwhite,remainedunnoticedbythepressinthecontextoftheVeniceFilmFestival(preoccupiedalmostexclusivelywithZviagintsev’sTheReturn),althoughitwasawardedaprize.InMoscow,itmaderatheradifferentimpression,especiallywhensetinthecontextoffilmsdealingwithhumanrightsissues.Gherman’sfilmis,inasense,aresponsetohisfather’swarfilm20DayswithoutWar.Maybethisexplainstheoddityofayoung,clearlytalenteddirectorventuringonhisdebutfilmintothetroddenterritoriesofthewarfilm,athemethatdominatedRussiancinemaingeneral,buthadalsobeendealtwithbyhisfather.ForGhermanJunior,however,warknowsneitherwinnersnorlosers:insteadofexploringthehistoryofWWII,Ghermanlooksatthefateoftwomenwhohavefailedtomaketherightchoice(orachoice)attherighttime.Therefore,theyarenowthevictimsofcircumstances,ofpolitics,ofregimes–whichtheyhaveorhavenotelected.Gherman’sconcerniswithpeopleinparticularcircumstances,whicharenottheirchoice,andhowtheycopewiththeseunwantedsituations.

小小恶信件[电影解说]

讲述了1920年代英国海滨小镇的一桩荒诞新闻，当地伊迪丝·斯旺和爱尔兰移民罗斯是邻居，当伊迪丝和其他居民开始收到匿名信件时，罗斯被认为是始作俑者。然而，当以警官格拉迪斯·莫斯为首的镇上妇女们开始自行调查这起事件时，她们注意到事情有些不对劲，罗斯可能根本不是罪魁祸首。